Invisible Mothers

For the mothers who are incarcerated in Argentina’s Los Hornos Prison being separated from their children is often the most difficult part of their life behind bars.

It is one reason why this facility has established a policy to allow these mothers to have their children stay with them, at least until the age of four.

To help them cope with this emotional environment, theatre director Miguel has established a series of workshops so that each of the inmates has an opportunity to express their feelings in a play, reflective of their life behind bars.

It becomes an outlet for their hopes, their fears, their dreams for them and their children.

FILMMAKER’S VIEW

By Ana Cacopardo and Andres Irigoyen 

Invisible Mothers explores a somewhat unusual dimension of prison life – motherhood in confinement.

In Argentina, children can live with their mothers in prison until they are four years old.

Mariana lives in prison with her two year-old son. Jazmin is about to regain her freedom and looks forward to reconnecting with her children. Both are members of a theatre group, directed by Miguel, in a women’s prison in Argentina. 

In the current context, where society and media stigmatises these women, we try to offer an alternative look; putting into perspective their stories and putting into focus the tenderness, the fears and dilemmas of these invisible mothers who dare to practice theatre. 

Making this film was a transformative experience for all of us. Before we started shooting, I spent five months observing the inmates as they rehearsed.

We worked together as we discussed what the meaning of this film should be. They wanted to talk to the outside world and finally have a voice of their own. 

Motherhood for these women is the possibility of a new beginning. To enter their worlds is to understand that there is no such thing as a simple path in life.

Everything has a cost. Jazmin looked thrilled whenever she showed us photos of her youngest son. But she admitted that the two had lost their bond and grew distant due to her own decision not to have him in prison. The cost to her was losing the emotional link between mother and child.

On the other hand, the tenderness of Mariana with her child presented us a different option. Mariana appreciated the bond with her son. This was just one example of the dilemmas faced by these young women in confinement.

It seemed essential to us that the film was able to highlight those dilemmas, leaving aside moral judgments. 

The film was, for us, another opportunity to celebrate the work of people like Miguel, a teacher who believes in art as a form of catharsis and release.